In December 2014, Amazon announced that as a benefit to Prime members located in parts of Manhattan and New York City the capability to get products delivered to them within one hour for a fee of $7.99, or within two hours for no additional fee. As of 2014, 25,000 daily essential products were available with this delivery service. In February 2015, the service was extended to include all of Manhattan. By mid-2016, it had been expanded in the United States to include parts of Chicago, Miami, Baltimore, Seattle, Dallas, Atlanta, Austin, Nashville, Portland, San Antonio, and Tampa. Outside of the United States, it has expanded to parts of the United Kingdom, Italy, Germany, France, Spain, Japan, and Singapore. To meet the on-demand needs of Prime Now, Amazon further launched Amazon Flex, a platform for independent contractors to provide delivery services.
Like Chantal Akerman’s ascetic classic Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Jim Jarmusch’s Paterson concerns itself with routine. The film conditions you to jive with its particular rhythm, in part so you might feel the impact experienced by our hero when the unexpected punctuates what’s regular in this average person’s life. Only, where Jeanne Dielman depicted the day-in-day-out of working-class life as a monotonous horror show, Paterson takes an altogether different tack. To Jarmusch, the everyday existence of blue-collar individuals like bus driver-poet Paterson (Adam Driver)—whom we observe across a single week—is so simple as to be near transcendent. Paterson’s a classic nice guy, but Driver helps us realize there’s more going on beneath that exterior that’s so cautious to offend. It’s a turn of minor gestures that lacks the obvious Best Actor grandstanding to, say, win an Oscar, but rest assured Driver’s performance is one of the most impressive of its year. As with Jarmusch’s beguiling film on the whole, once acclimated, you continue to feel it long after you’ve left the cinema. —Brogan Morris
Promising review: "I love these pads. They are magnetic so they easily stick to the fridge. The items listed are the items that you use most often, and it is organized into sections that correspond to aisles at most grocery stores. Each section has a few additional blanks for adding those items that it doesn't list. This thing saves me a bunch of time!" —Steven Dix
In which we bask in Vince Vaughn’s hugeness, witnessing S. Craig Zahler’s pitch-perfect ode to grindhouse cinema draw the best of extremes out of an actor who’s had a rough couple years crawling out from under the parody of himself. This is not Vince Vaughn playing Bradley Thomas, stolid brute willing to do whatever it takes to protect his family, it is the silhouette of Vince Vaughn, silent and bigger than everyone else in the room, a spectre of bruised flesh—so much flesh—descending circle by circle into Hades, his odyssey heralded by the likes of Don Johnson and Udo Kier (both seemingly born to be in this endlessly compelling, awfully fucked-up movie) and soundtracked by soul/RnB icons like the O’Jays and Butch Tavares. It confirms that Zahler—along with Bone Tomahawk—is on some Tarantino levels of modern genre filmmaking—which could honestly be a pejorative, were Brawl in Cell Block 99 less finely tuned, less patient and less breathlessly violent. By the time Bradley lurches into irrevocable action, foreshadowed by an opening scene in which he rips apart a car with his bare hands, which is exactly as that sounds, every life force he snuffs out with maximum barbarity also comes with pure satisfaction, the Id of anyone who’s into this kind of thing stroked to completion. —Dom Sinacola
Amazon product lines include several media (books, DVDs, music CDs, videotapes, and software), apparel, baby products, consumer electronics, beauty products, gourmet food, groceries, health and personal-care items, industrial & scientific supplies, kitchen items, jewelry and watches, lawn and garden items, musical instruments, sporting goods, tools, automotive items and toys & games.