Society is perhaps what you would have ended up with in the earlier ’80s if David Cronenberg had a more robust sense of humor. Rather, this bizarre deconstruction of Reagan-era yuppiehood came from Brian Yuzna, well-known to horror fans for his partnership with Stuart Gordon, which produced the likes of Re-Animator and From Beyond…and eventually Honey, I Shrunk the Kids, believe it or not. Society is a weird film on every level, a feverish descent into what may or may not be paranoia when a popular high school guy begins questioning whether his family members (and indeed, the entire town) are involved in some sinister, sexual, exceedingly icky business. Plot takes a backseat to dark comedy and a creepily foreboding sense that we’re building to a revelatory conclusion, which absolutely does not disappoint. The effects work, suffice it to say, produces some of the most batshit crazy visuals in the history of film—there are disgusting sights here that you won’t see anywhere else, outside of perhaps an early Peter Jackson movie, a la Dead Alive. But Society’s ambitions are considerably grander than that Jackson’s gross-out classic: It takes aim at its own title and the tendency of insular communities to prey upon the outside world to create social satire of the highest (and grossest) order. —Jim Vorel
In a similar vein, Amazon recently started promoting its private-label brands on the pages of competing brands. The complaint some brands made here is that Amazon is getting that advertising space ‘for free.’ But ad space on a highly trafficked site like Amazon is never free. By allocating that space to promote one of its own products, Amazon is by default forfeiting ad dollars from advertisers. Given Amazon’s booming advertising business and how profitable this new division is, Amazon would not be giving up valuable ad space lightly.
Preview photos show an eclectic range, from the talking Chewbacca mask (made famous by “Chewbacca mom”), a toy cash register, the keto diet book Ketotarian, Philips Hue bulbs and other smart home appliances (that work with Amazon Alexa, naturally). And, of course, Kindles, Echos, and other Amazon goods—which the firm notes have average reviews far above 4.0.
Human Flow isn’t about its creator, Ai Weiwei, but one of its key moments, occurring about a half an hour before its end, is pure Ai. On their tour of hotspots in our burgeoning global refugee crisis, the director and his crew stop at the U.S./Mexico border to capture footage and talk with locals living on the line of delineation separating the two countries. As the crew films, they are at one point interrupted by the arrival of an American yokel riding a four-wheeler. Whether he’s official or just some self-styled border patrolling vigilante is unclear, though his intent to intimidate the filmmakers is crystalline. Ai Weiwei, having spent the better part of the film’s two-hour running time demonstrating his unfailing grace alongside his bottomless compassion, scarcely reacts. He doesn’t even budge.
Like Chantal Akerman’s ascetic classic Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Jim Jarmusch’s Paterson concerns itself with routine. The film conditions you to jive with its particular rhythm, in part so you might feel the impact experienced by our hero when the unexpected punctuates what’s regular in this average person’s life. Only, where Jeanne Dielman depicted the day-in-day-out of working-class life as a monotonous horror show, Paterson takes an altogether different tack. To Jarmusch, the everyday existence of blue-collar individuals like bus driver-poet Paterson (Adam Driver)—whom we observe across a single week—is so simple as to be near transcendent. Paterson’s a classic nice guy, but Driver helps us realize there’s more going on beneath that exterior that’s so cautious to offend. It’s a turn of minor gestures that lacks the obvious Best Actor grandstanding to, say, win an Oscar, but rest assured Driver’s performance is one of the most impressive of its year. As with Jarmusch’s beguiling film on the whole, once acclimated, you continue to feel it long after you’ve left the cinema. —Brogan Morris
Amazon Prime membership in Germany, the United Kingdom, India, and the United States also provides Amazon Video, the instant streaming of selected movies and TV shows at no additional cost. In November 2011, it was announced that Prime members have access to the Kindle Owners’ Lending Library, which allows users to borrow certain popular Kindle e-books for free reading on Kindle hardware, up to one book a month, with no due date.