Amazon’s own AmazonBasics brand is putting out a new microwave that takes advantage of the new Alexa Connect Kit, which will also be made available to third-party device makers. The kit “includes a Wi-Fi and Bluetooth LE module that contains software — written and managed by Amazon — that automatically and securely connects to Amazon-managed cloud services.” There’s no actual microphone in here; the microwave connects to your Echo devices over Bluetooth.
Promising review: "I'm a pro gardener and a total plant geek, so reading all about the wicked deeds of the plants I know and love (and learning some new ones as well!) was a blast. But you don't have to know or even care much about plants to enjoy this book. Amy blends the human stories and the plant details with such humor and depth; as she says, 'I looked for plants that had an interesting backstory. There had to be a victim — a body count... These are plants you do not want to meet in a dark alley.'" —Gen of North Coast Gardening
Promising review: "As a clumsy person (like, get-kicked-out-of-stores-because-you've-accidentally-knocked-over-two-displays-while-trying-to-pick-up-the-original-display-you-knocked-over clumsy) who loves nail painting, this has been a gift sent down from Cedric Diggory himself. I love this thing! I haven't been able to spill nail polish once, and that is a feat and a miracle. Even if you're not ultra-clumsy, it's just a convenient helper when nail painting." —JL Dice
Amazon's answer to Apple Music, Spotify and the like gives you access to "tens of millions" of songs -- far more than you get from Prime Music. If you already have a Prime subscription, Music Unlimited costs $7.99 per month -- a few dollars less than the competition charges. However, a family plan makes it $14.99 per month whether you're a Prime subscriber or not, and that doesn't represent any savings over the competition. Indeed, you might want to investigate whether Amazon Music Unlimited is good deal for you before adding it to your account.
Costco, too, has proven the doubters wrong. There’s a reason why COST has been one of the best stocks to buy in the entire market for over thirty years now. Here, too, however the concern is valuation. Analysts began arguing last month that the stock might have run out of upside, and I’m inclined to agree. Most of the stock’s losses after Q4 earnings earlier this month have been recovered, and COST still trades at a healthy 27x forward earnings.
The biggest thing that Amazon has to offer in November is intriguing new series, Homecoming. Homecoming comes from Mr. Robot creator Sam Esmail, stars Julia Roberts, and is based on a podcast. That's quite the trifecta of Interesting Things (TM). Other new Amazon original series include the less hyped but equally interesting Mirzapur, Inside Joke, and Patriot Season 2.
There need not be a documentary about the Syrian catastrophe to rally the world around its cause—just as, in Matthew Heineman’s previous film, Cartel Land, there was no need to vilify the world of Mexican cartels or the DEA or the paramilitaristic nationalists patrolling our Southern borders to confirm that murder and drug trafficking are bad. The threats are known and the stakes understood, at least conceptually. And yet, by offering dedicated, deeply intimate portraits of the people caught up in these crises, Heineman complicates them beyond all repair, placing himself in undoubtedly death-defying situations to offer a perspective whose only bias is instinctual. So it is with City of Ghosts, in which he follows members of Raqqa is Being Slaughtered Silently, a group committed to using citizen-based journalism to expose the otherwise covered-up atrocities committed by ISIS and the Assad regime in Syria. In hiding, in Turkey and Germany and at an event for journalists in the U.S.—in exile—these men, who Heineman characterizes as a very young and even more reluctant resistance, tell of both the increasingly sophisticated multimedia methods of ISIS and their hopes for feeling safe enough to settle and start a family with equal trepidation about what they’ve conditioned themselves to never believe: That perhaps they’ll never be safe. Heineman could have easily bore witness to the atrocities himself, watching these men as they watch, over and over, videos of their loved ones executed by ISIS, a piquant punishment for their crimes of resistance. There is much to be said about the responsibility of seeing in our world today, after all. Instead, while City of Ghosts shares plenty of horrifying images, the director more often that not shields the audience from the graphic details, choosing to focus his up-close camera work on the faces of these men as they take on the responsibility of bearing witness, steeling themselves for a potential lifetime of horror in which everything they know and love will be taken from them. By the time Heineman joins these men as they receive the 2015 International Press Freedom Award for their work, the clapping, beaming journalists in the audience practically indict themselves, unable to see how these Syrian men want to be doing anything but what they feel they must, reinforcing the notion that what seems to count as international reportage anymore is the exact kind of lack of nuance that Heineman so beautifully, empathetically wants to call out. —Dom Sinacola
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iPhone Xs, Xs Max offer: Phone Offer: iPhone Xs (64GB) MSRP $999.99; iPhone Xs Max (64GB) $1,099.99. Phone Trade-in: Phone must be unlocked, deactivated & all personal data deleted before trade-in and in good working order; device powers on and there are no broken, missing or cracked pieces. Device will not be returned. Current customers must own trade in device. Credits end at 18 months, early payoff or upgrade, whichever occurs first.
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Deborah Weinswig, CEO and Founder of Coresight Research, weighs in, noting, “Consumers with Prime memberships are meaningfully more likely to buy nontraditional categories on Amazon. Prime members are naturally a self-selecting group of Amazon shoppers, because only regular customers would opt for a membership. But we think that once consumers become members, they see the value of buying types of products on the site that they may not traditionally associate with Amazon, such as groceries and clothing. That’s why Prime memberships are so important.”
Portland filmmaker Matt McCormick begins his very personal documentary with an astounding shot of a nuclear mushroom cloud from high above the Earth, a droning ambient soundtrack roaring to a fever pitch as the explosion takes explicit shape. From there, McCormick narrates the story of his grandfather, one of the U.S.’s select B-52 bomber pilots burdened with flying world-clearing, 4-megaton nuclear weapons on marathon missions over North America, staying ever-ready to drop them on Russia should the Cold War come to a disastrous head. The film’s strength is its wordless, practically impressionistic sense of gravity when pouring over so much found footage and assorted documents from the time, detailing just how much of the world’s destiny was shaped by human beings as susceptible to error—to the failings of the human body—as any one of us. Scored by Portland ambient artist Eluvium (Matthew Cooper), Buzz One Four stays so compelling in its powerfully non-verbal wandering, one wishes McCormick got rid of narration altogether. —Dom Sinacola
Snap refused to disclose any financial terms of the partnership. It could be earning a referral fee for each thing you buy from Amazon, or it could just be doing the legwork for free in exchange for added utility. A Snapchat spokesperson tells me the latter is the motivation (without ruling out the former), as Snapchat wants its camera to become the new cursor — your point of interface between the real and digital worlds.
Amazon sellers are businesses and individuals that sell products at Amazon. They can ship the products themselves or use the Fulfillment by Amazon program to fulfill customer orders. In addition, they’re the seller of record for a given order, taking care of customer service and returns. Sellers manage their inventory on Seller Central. Become a seller
Like Me is an indictment of a life spent “extremely” online: a thriller in which the thrill is the threat of empty transgression; a body horror flick in which the body horror is the way social media and Tumblr and Reddit and YouTube transform us, make us grotesque, perverting basic physical functions into scary, dysmorphic representations of the flesh sacks we carry around with us whenever we’re not online. Early in the film, writer-director Robert Mockler introduces us to the online world of our main character, Kiya (Addison Timlin, terrifying), via a disturbing barrage of hyperreal, gif-like images—close-ups of sugary cereal and milk chewed sloppily, of a viscous tongue mid-slurp, of Kiya doing weird kinesthetics in a dirty motel room while the camera capsizes and arises around her, this Manic Pixie Dream Girl who embodies each of those words as literally as possible. Though Mockler implies that these are all curated posts Kiya’s put online, we believe that this is how she sees the world. Aided by some seriously heady opioids and hallucinogens, she can’t help but digest her lived experiences without mitigating them digitally. As Kiya moves through Mockler’s pink-ish, neon dystopia, DP James Siewert shooting Timlin as if she’s stranded in the middle of a Michael Mann joint, everything seems on the table. Kiya lures a motel manager, Marshall (Larry Fessenden, better than excellent), to her room—another room, another motel, somewhere on this stupid planet—with the possibility of sex. Instead, he finds Kiya’s redecorated her room like an outtake from The Cell, testing the lonely guy’s willingness to go along with whatever insanity’s in store. Of course, some icky gastrointestinal calamity occurs, but Marshall never flinches, so Kiya kidnaps him and takes him with her. Gorgeous and gross in equal measure, Like Me is a visual feast. Mockler conjures setpieces out of practically nothing, crafting each frame with a meticulous symmetry that belies the chaos at the heart of Kiya’s impulsive odyssey. —Dom Sinacola
Target has lost the most in terms of apparel shoppers who have switched some or all of their apparel spending to Amazon, with Walmart in second place. This is the reverse of these two retailers’ overall ranking in terms of apparel retail, as Walmart is a significantly bigger clothing and footwear retailer than Target, as measured by both sales and shopper numbers.
"Can't say enough great things about this cast iron skillet. It heats evenly and consistently on the stove top, and has zero issues with tossing it directly in the oven or broiler. I use it for roasted chicken, bacon, roasted potatoes, frittatas, eggs, steak, and sauteing veggies. It's also super easy to clean, which is something that scares people away from cooking with cast iron. It's also on Prime." — Stephanie Asymkos
It’s not difficult to imagine a different cut of Anna Rose Holmer’s The Fits that hews closer to the arc of a traditional sports story. Hers has the makings of a familiar one, of a misfit who wants more than anything to compete—but unlike most stories of inspirational audacity, The Fits is as much about discomfort as the catharsis that comes with achievement. In it, Toni (Royalty Hightower) is an 11-year-old who has more experience with stereotypically male pursuits like lifting weights and punching speed bags than the usual interests of a pre-teen girl. She spends nearly all of her time at the Lincoln Recreation Center alongside her boxer brother, Jermaine (Da’Sean Minor), pushing her body to the limit. While she shows a remarkable aptitude for the ascetical devotion required for boxing, she still dreams about competing on the dance team, “The Lincoln Lionesses.” Framed with a rigid sense of space by cinematographer Paul Yee, and backed by the groaning score from veteran composers Danny Bensi and Saunder Jurriaans, The Fits is infused with such dread that one can’t help but imagine that characters’ muscles and bones could break or shatter at any moment. The film’s most explicit example of which may be Toni pulling off a temporary tattoo, but The Fits is firmly a story of metaphysical body horror, an allegory about our greatest fears of physical fragility shot brilliantly through a feminist lens. With that, the film manages to reinvent the sports story as something both brainy and physically pure. —Michael Snydel
A.: Yes. Just visit Amazon Prime's gifting page, add it to your cart and follow the instructions to find out how you can give a yearlong subscription to a friend or family member. In your cart, before you check out, just make sure that the box reading "This item is a gift" is checked off, and you can fill in the rest of the information when you pay.
Two men on the cusp of utter meme-ification craft one last masterpiece together before they let go, fizzling into the dying light. An elegy, perhaps—for America, maybe, or for the concept of law and order within an America that’s long abandoned both concepts—Werner Herzog’s predictably singular vision for a loose sequel (reboot) to Abel Ferrara’s Bad Lieutenant hangs Nicolas Cage from an imaginary hook, the actor’s baggy suit and wincing, glazy visage seemingly draped uncomfortably over every crime scene, line of coke and hallucinated iguana he comes across. New Orleans lieutenant Terence McDonagh is in a lot of pain, due mostly to a back injury he suffered saving an inmate from a flooding jail cell in the immediate aftermath of Hurricane Katrina, exacerbated by all the extra drugs he consumes, plus the long horrible hours he maintains navigating the surreal wasteland of a city that’s seemingly made no progress since the natural disaster. Herzog makes no apologies about the obvious ties between McDonagh’s degradation and that of New Orleans’, concerned less with his plot’s procedural aspects (McDonagh’s trying to solve the murders of a family involved with low level drug dealing) and more with the oneiric geography of a once-thriving city lost to time. McDonagh, then, is our addled Virgil, guiding us through the Hell that made him, the Hell from which he can’t escape, the Hell he’ll never save despite his best efforts. Suffused with absurdity, and hilariously bleak as fuck, The Bad Lieutenant – Port of Call: New Orleans serves as the last of Herzog’s fiction films able to withstand the director’s hardheaded anti-narrative inclinations, as well as the last of Cage’s films in which his unhinged weirdness isn’t so obviously performative. Together, the two men offer no hope for those whom America’s abandoned. Instead they offer a moving, odd bit of comfort: At least some of us are still trying. —Dom Sinacola
Amazon's rules state that you must be at least 13 years of age to sign up for an account. However, you must be 18 to make a purchase (since you'll need to input this data into your account before a purchase), unless you can obtain enough money in gift card funds to pay for the purchase or receive a gift card-debit card that has a major card company attached that you can input to pay for the entire purchase price.
"Many of us have filtered water pitchers in our fridges, but if you're anything like me, yours is probably still a holdover from your college days. There's nothing wrong with that, but I upgraded to a larger, more efficient model and haven't looked back. Not only am I refilling this container less often, it's encouraging me to drink more water since there's always some left." — Brandt Ranj
Below, we compare the top five retailers that respondents said they had switched spending to Amazon from with the top five they said they had bought apparel from in the past 12 months. The comparison shows that Target, Macy’s and JCPenney overindex in terms of share of apparel spending lost to Amazon, relative to their overall strength in shopper numbers.
Fashionistas will also be happy to learn the clothes-focused Amazon subsidiary Shopbop is part of the free Prime shipping family, and you get free returns, too. You can get your designer brand fix and free Amazon shipping through East Dane, which is similar to Shopbop, but focused on men's fashion. Between Woot, ShopBop and East Dane, your online shopping horizons with bonus shipping perks have just expanded.
Even considering that the teams launching private-label brands at Amazon have unrestricted access to programs like Vine reviews, they are still “paying” for these perks. The Vine review program is not a fully automated process that runs in the background. It requires technical and human resources to manage thousands of Vine reviewers and product review requests from vendors. Amazon is matching reviewers with samples and shipping the samples out, managing customer service, and maintaining the infrastructure of the program. You can bet that there are heated internal battles for Vine review program privileges on new product launches, even if the internal team is not personally dropping hundreds or thousands of dollars on the activity like brands have to do.
Be very careful when buying flash memory online. It's surprisingly easy to get a 2GB memory card, print fake logos and packaging, and mess with the metadata so your computer thinks it's actually 128GB. Then, these scammers sell them online for the price of the 128GB drive, or in this case, a disreputable supplier will supply them to Amazon in lieu of the real product. Then you end up with a bad card even though it's sold by Amazon.
Try as you might to rationalize Darren Aronofsky’s mother!, mother! does not accept rationalization. There’s little reasonable ways to construct a single cohesive interpretation of what the movie tries to tell us. There is no evidence of Aronosfky’s intention beyond what we’ve intuited from watching his films since the ’90s—as well as how often Aronofsky loves to talk about his own work, which is usually worth avoiding, because Aronofsky likes thinking the movie is about everything. The most ironclad comment you can make about mother! is that it’s basically a matryoshka doll layered with batshit insanity. Unpack the first, and you’re met immediately by the next tier of crazy, and then the next, and so on, until you’ve unpacked the whole thing and seen it for what it is: A spiritual rumination on the divine ego, a plea for environmental stewardship, an indictment of entitled invasiveness, an apocalyptic vision of America in 2017, a demonstration of man’s tendency to leech everything from the women they love until they’re nothing but a carbonized husk, a very triggering reenactment of the worst house party you’ve ever thrown. mother! is a kitchen sink movie in the most literal sense: There’s an actual kitchen sink here, Aronofsky’s idea of a joke, perhaps, or just a necessarily transparent warning. mother!, though, is about everything. Maybe the end result is that it’s also about nothing. But it’s really about whatever you can yank out of it, its elasticity the most terrifying thing about it. —Andy Crump
On January 24, 2016, Amazon launched a new subscription program aimed at parents called STEM Club, which delivers educational toys to your home for $19.99 per month. And by "STEM", toys will be hand-picked and focused on the area of science, technology, engineering and math. The toys will range from robotics to natural sciences and will include items exclusive to Amazon. STEM toy subscription club is only available in the United States.