The question at this point is valuation. At roughly 10x revenue and 63x forward EPS, ETSY isn’t cheap, even by the standards of high-margin platform stocks. As Josh Enomoto pointed out in August, the arts & crafts industry isn’t growing. Industry leader Michaels Companies (NASDAQ:MIK) has said the same thing — and it’s rolling out an Etsy competitor of its own next year.
Close to two-thirds of Americans now say they've bought something on Amazon, according to a new NPR/Marist poll. That is 92 percent of America's online shoppers — which is to say, almost all of them. More than 40 percent say they buy something on Amazon once a month or more often. In fact, when people shop online, they're most likely to start on Amazon.
European regulators are closely watching how Amazon uses its own sales data to potentially gain an unfair advantage over marketplace sellers. Margrethe Vestager, the EU commissioner for competition, recently said that, while there are no accusations against Amazon at this point, her department has started a "preliminary investigation" into how the company may be copying best-selling products by competitors.
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In which we bask in Vince Vaughn’s hugeness, witnessing S. Craig Zahler’s pitch-perfect ode to grindhouse cinema draw the best of extremes out of an actor who’s had a rough couple years crawling out from under the parody of himself. This is not Vince Vaughn playing Bradley Thomas, stolid brute willing to do whatever it takes to protect his family, it is the silhouette of Vince Vaughn, silent and bigger than everyone else in the room, a spectre of bruised flesh—so much flesh—descending circle by circle into Hades, his odyssey heralded by the likes of Don Johnson and Udo Kier (both seemingly born to be in this endlessly compelling, awfully fucked-up movie) and soundtracked by soul/RnB icons like the O’Jays and Butch Tavares. It confirms that Zahler—along with Bone Tomahawk—is on some Tarantino levels of modern genre filmmaking—which could honestly be a pejorative, were Brawl in Cell Block 99 less finely tuned, less patient and less breathlessly violent. By the time Bradley lurches into irrevocable action, foreshadowed by an opening scene in which he rips apart a car with his bare hands, which is exactly as that sounds, every life force he snuffs out with maximum barbarity also comes with pure satisfaction, the Id of anyone who’s into this kind of thing stroked to completion. —Dom Sinacola
I own about 100 SD cards and I always do a speed test to verify the reading and writing speeds before I install the memory. This card checked out extremely well. The fastest write speed on this card was 73.143 MB/Sec and the fastest reading speed was 93.368 MB/Sec. I have attached the graphical test data for your information. I used a USB 3.0 port with a USB 3.0 card reader for the test.
Here, too, valuation is a concern. Any Amazon-proof stocks are going to be dearly valued. And for investors looking for value, LULU isn’t one of the best stocks to buy in retail. But a pullback has made valuation more palatable, and any concerns about the ‘athleisure’ trend fading appear assuaged. LULU is priced like a growth stock, but it very well may be poised to drive that kind of growth.
Watching Henri-Georges Clouzot’s Les Diaboliques through the lens of the modern horror film, especially the slasher flick—replete with un-killable villain (check); ever-looming jump scares (check); and a “final girl” of sorts (check?)—one would not have to squint too hard to see a new genre coming into being. You could even make a case for Clouzot’s canonization in horror, but to take the film on only those terms would miss just how masterfully the iconic French director could wield tension. Nothing about Les Diaboliques dips into the scummy waters of cheap thrills: The tightly wound tale of two women, a fragile wife (Véra Clouzot) and severe mistress (Simone Signoret) to the same abusive man (Paul Meurisse), who conspire to kill him in order to both reel in the money rightfully owed the wife, and to rid the world of another asshole, Diaboliques may not end with a surprise outcome for those of us long inured to every modern thriller’s perfunctory twist, but it’s still a heart-squeezing two hours, a murder mystery executed flawlessly. That Clouzot preceded this film with The Wages of Fear and Le Corbeau seems as surprising as the film’s outcome: By the time he’d gotten to Les Diaboliques, the director’s grasp over pulpy crime stories and hard-nosed drama had become pretty much his brand. That the film ends with a warning to audiences to not give away the ending for others—perhaps Clouzot also helped invent the spoiler alert?—seems to make it clear that even the director knew he had something devilishly special on his hands. —Dom Sinacola
In November 2007, the Kindle Store was launched as an e-book e-commerce store and can be accessed from any Amazon Kindle, Fire tablet or Kindle mobile app. At its launch, the store had more than 88,000 digital titles available. This number increased to more than 765,000 by August 2011 and as of January 2017 there were over five million e-books available in the U.S.