The concept parallels Amazon’s bookstores, which largely feature books that are well-reviewed by customers, and use shelf tags to display the average review score and sometimes feature excerpts from the reviews. The 4-Star store sports electronic tags with each item that update dynamically to provide an average of stars awarded in reviews and the total number of reviews.
However, once he runs out of facts a couple of chapters into the book, Underhill pads the rest of the book out with opinions, and this is where the problems begin. While he may be an excellent observer, Underhill is a poor business analyst. He doesn't understand the dynamics of many of the businesses he comments on. Many of his suggestions are embarassingly ignorant of the realities behind the businesses he discuss, or, worse, suggest--as if he invented the concepts-- that companies should do things that they have already been doing for years.
In November 2007, Amazon launched the Kindle, an e-reader which downloads content over "Whispernet", via Sprint's EV-DO wireless network. The screen uses E Ink technology to reduce battery consumption and to provide a more legible display. As of July 2014, there are over 2.7 million e-books available for purchase at the Kindle Store. Starting in 2012 Amazon began offering differing models within generations of its readers starting with the Paperwhite, Voyage, and most recently the Oasis 2 released in October 2017.
"I have probably 50 pairs of shoes, and yes, I do actually wear most of them! I have a variety of shoe storage solutions at home, but this one is by far the best and least intrusive in my closet. It only takes up a few inches of hanging space but holds so many pairs. I can even double up on sandal storage where I have room for multiples." — Sally Kaplan
Membership Sharing: Two adults living in the same household can create an Amazon Household to share certain Amazon Prime benefits. For more information, go to About Amazon Households. If you have a paid Prime membership under your personal account you can share your shipping benefits with your Amazon Business user account. Go to Amazon Prime and Business Accounts.
Life-changing gadgets come in two distinct categories: the stuff on your "when I'm a bazillionaire" wishlist, and the surprisingly practical products you can buy on Amazon for under $20 right this second. In column A, you have things like a self-driving car, a basket bed that swings from the ceiling, and a secret bookcase/door that opens into your home theater. In column B, you have — well, everything in this article.
Two men on the cusp of utter meme-ification craft one last masterpiece together before they let go, fizzling into the dying light. An elegy, perhaps—for America, maybe, or for the concept of law and order within an America that’s long abandoned both concepts—Werner Herzog’s predictably singular vision for a loose sequel (reboot) to Abel Ferrara’s Bad Lieutenant hangs Nicolas Cage from an imaginary hook, the actor’s baggy suit and wincing, glazy visage seemingly draped uncomfortably over every crime scene, line of coke and hallucinated iguana he comes across. New Orleans lieutenant Terence McDonagh is in a lot of pain, due mostly to a back injury he suffered saving an inmate from a flooding jail cell in the immediate aftermath of Hurricane Katrina, exacerbated by all the extra drugs he consumes, plus the long horrible hours he maintains navigating the surreal wasteland of a city that’s seemingly made no progress since the natural disaster. Herzog makes no apologies about the obvious ties between McDonagh’s degradation and that of New Orleans’, concerned less with his plot’s procedural aspects (McDonagh’s trying to solve the murders of a family involved with low level drug dealing) and more with the oneiric geography of a once-thriving city lost to time. McDonagh, then, is our addled Virgil, guiding us through the Hell that made him, the Hell from which he can’t escape, the Hell he’ll never save despite his best efforts. Suffused with absurdity, and hilariously bleak as fuck, The Bad Lieutenant – Port of Call: New Orleans serves as the last of Herzog’s fiction films able to withstand the director’s hardheaded anti-narrative inclinations, as well as the last of Cage’s films in which his unhinged weirdness isn’t so obviously performative. Together, the two men offer no hope for those whom America’s abandoned. Instead they offer a moving, odd bit of comfort: At least some of us are still trying. —Dom Sinacola