Online surveys represent Internet users and, according to the Pew Research Center’s latest published data, 88% of Americans were Internet users in 2016. The proportion of the total US population using the Internet has been climbing by around two percentage points per year, according to Pew data. So, in January 2018, when we undertook our survey, it is likely that approximately 90%–91% of Americans were Internet users.
Lean on Pete flows with such gentle beauty that it may be hard to grasp precisely what it’s about or where it’s going. But the power of writer-director Andrew Haigh’s sublime drama is that it can support myriad interpretations while remaining teasingly mysterious—like its main character, it’s always just a bit out of reach, constantly enticing us to look closer. Based on Willy Vlautin’s 2010 novel, the movie is a smashing introduction to Charlie Plummer, who was the kidnapped John Paul Getty III in last year’s All the Money in the World. Here, he plays Charley Thompson, a 15-year-old living with his drinking, backslapping dad (Travis Fimmel) in Portland. Charley has a sweet face and a soft-spoken manner—when he talks, the last few words evaporate into the air, as if he’s too shy to even be bold enough to enunciate—but early on, we get a sense that there’s a craftiness underneath that demeanor. The first indication is his willingness to lie about his age to Del (Steve Buscemi), a craggy horse owner who reluctantly takes him on as a caretaker for his elderly racehorse Lean on Pete. Charley doesn’t know a thing about horses, but he’s anxious to find something to do now that he’s in a new town with his father, their reasons for leaving Spokane unspecified but clearly dispiriting. Familiar narrative tropes emerge in Lean on Pete: the boy-and-his-dog drama, the coming-of-age story, the father-and-son character piece, the road movie. Haigh breezes past them all, seeking something more elliptical in this deceptively slim story. With the patience and minimalist command of a Kelly Reichardt, he doesn’t dictate where his film goes, seemingly letting Charley’s restlessness call the shots. The boy’s journey gathers force and poignancy as it moves forward, and the more we understand about Charley the more unknowable he becomes. Along the way, we meet other people and see other worlds—the life of young military veterans, the reality of homelessness, the grind of the low-rent racing circuit—but Haigh views it all with the same unassuming compassion we see in Charley’s quiet eyes. —Tim Grierson
If streaming apps aren’t enough to satisfy your video streaming needs, Amazon’s new Fire TV Recast will add OTA channels to the mix — and a DVR for recording them. It’s essentially a super-powered Slingbox designed for Amazon’s ecosystem, letting you “watch, record, and replay free over-the-air programming to any Fire TV, Echo Show, and on compatible Fire tablet and mobile devices.” You plug an antenna into it to get TV channels up and running; Amazon says it will help customers find the best place to put the Fire TV Recast for optimal channel reception during setup.
I own about 100 SD cards and I always do a speed test to verify the reading and writing speeds before I install the memory. This card checked out extremely well. The fastest write speed on this card was 73.143 MB/Sec and the fastest reading speed was 93.368 MB/Sec. I have attached the graphical test data for your information. I used a USB 3.0 port with a USB 3.0 card reader for the test.
On the surface, the move into the private label business (in which goods are sold under the retailer’s name rather than that of an outside vendor) appears to be a deft move by Amazon. Analysts predict that nearly half of all online shopping in the United States will be conducted on Amazon’s platform in the next couple of years. That creates a massive opportunity for Amazon to more than double revenue from its in-house brands to $25 billion in the next four years, according to analysts at SunTrust Robinson Humphrey. That’s the equivalent of all of Macy’s revenue last year.
A.: Most gamers are already familiar with Twitch, the popular game-stream broadcast service, but may not know about Twitch Prime. Amazon Prime users also get access to Twitch Prime, which allows them to watch Twitch streams completely ad-free. However, Amazon recently announced that new members will not get ad-free viewing beginning September 14. Existing members, however, can continue to enjoy ad-free viewing up until their subscription renewal, at which point they too will lose the feature. Monthly in-game bonuses and "Free Games With Prime" — a selection of free titles for Prime members — will continue.
If you’ve never heard of the West Memphis Three, do some research before you begin—you’ll want to be prepared. Within only a minute of the film’s opening, as Metallica’s “Welcome Home (Sanitarium)” noodles forebodingly over pixelated camcorder videos, intolerable images taken straight from police evidence glance across frame, so quickly and frankly you’ll immediately question if they are, in fact, real. Of course, they are—they are images no person should ever have to see, and yet Joe Berlinger and Bruce Sinofsky use them only to expose the unbelievable horror at the heart of the appropriately named Paradise Lost. What unfolds over the following two and a half hours is just as heartbreaking: a trio of teenage boys (one with an IQ of 72) is put on trial for the brutal murders of three prepubescent boys, the only evidence against them a seemingly forced confession by the young kid with the below-average IQ, and laughably circumstantial physical proof. The film explores the context of West Memphis, its blindly devoted Christian population and how the fact that these teenagers dressed in black and listened to Metallica somehow led to their predictable fates at the hands of a comprehensively broken justice system. With surprising access to everyone involved in the trial, as well as a deft eye for the subtle exigencies of any criminal case such as this, Paradise Lost is a thorough, infuriating glimpse of the kind of mundane evil that mounts in some of America’s quietest corners. Welcome home. —Dom Sinacola
Given all the benefits, there really aren't that many cons to an Amazon Prime membership that don't come around to the price. But that price keeps rising, and may be a hefty cost for shoppers if they don't frequently purchase items online. At $119 per year, it is worth examining how many benefits you will actually use with a membership to see if it is worth the expense.
Here, too, valuation is a concern. Any Amazon-proof stocks are going to be dearly valued. And for investors looking for value, LULU isn’t one of the best stocks to buy in retail. But a pullback has made valuation more palatable, and any concerns about the ‘athleisure’ trend fading appear assuaged. LULU is priced like a growth stock, but it very well may be poised to drive that kind of growth.
Gift-giving is a heartwarming endeavor that lets you show your loved ones how much you care about them and makes everyone feel warm and fuzzy. But you know what else it is? Expensive. Finding the best gifts under $25 can feel like a Herculean task when every time you flip a price tag over it gives you a mild heart attack. And finding gifts is a year-round thing — with birthdays, weddings, and holidays, there's rarely a time when you're not looking for something. That can also add up to a lot of money over time.
The Strategist is designed to surface the most useful, expert recommendations for things to buy across the vast e-commerce landscape. Some of our latest conquests include the best acne treatments, rolling luggage, pillows for side sleepers, natural anxiety remedies, and bath towels. We update links when possible, but note that deals can expire and all prices are subject to change.
Amazon Studios brings bold and innovative series and films from top tier and up-and-coming creators to customers in over 200 countries and territories. Original productions range from daring and timely subject matter such as Amy Sherman-Palladino’s award-winning The Marvelous Mrs. Maisel and acclaimed filmmaker Spike Lee’s Chi-Raq; to the critically hailed The Grand Tour, Mozart in the Jungle and Man in the High Castle. In film, Amazon Studios produces and acquires original movies for theatrical release and early window distribution exclusively for Amazon Prime members. At the 2017 Academy Awards, Amazon Studios became the first streaming service to win Oscars for Manchester by the Sea (Best Screenplay, Kenneth Lonergan and Best Actor, Casey Affleck) and The Salesman (Best Foreign Film). Recent notable releases include the box office success The Big Sick, which is one of the top streaming films on Prime. Upcoming films in 2018 include Lauren Greenfield’s Generation Wealth, Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot, Dan Fogelman’s Life Itself, Luca Guadagnio’s Suspiria and Felix Van Groeningen’s Beautiful Boy.
If Nicolas Winding Refn—anthropomorphic cologne bottle; asexual jaguar—is going to make a horror film, Nicolas Winding Refn will make a horror film about the things that scare Nicolas Winding Refn most: asymmetry, sex, fatherhood. In The Neon Demon, every character is either someone’s daughter or a deranged daddy figure, both thirsty for the kind of flesh only Los Angeles can provide, the roles of predator and prey in constant, unnerving flux. Part cannibal-slasher movie and part endlessly pretty car commercial, Refn’s film about a young model (Elle Fanning) making it in the fashion industry goes exactly where you think it’s going to go, even when it’s trying as hard as it can to be weird as fuck. But despite his best efforts, Refn sustains such an overarching, creeping atmosphere of despair—such a deeply ingrained sense of looming physical imperfection, of death—that it never really matters if The Neon Demon doesn’t add up to much of anything in the end. —Dom Sinacola
What’s perhaps most refreshing in Green Room is writer-director Jeremy Saulnier’s lack of interest in the kind of moralizing that made his last film, Blue Ruin, ultimately seem conventional. Instead, Saulnier simply presents us this nutty scenario without feeling the need to lard it up with anything as cumbersome as topical commentary or moral ambiguity. He proceeds to wring as much tension and suspense from its pulpy retro plot as possible, adding a few entertaining grace notes along the way, which can best be seen in its performances. In the ensemble-based Green Room, Saulnier revels in the contrasts of personalities and styles: band bassist Pat’s (Anton Yelchin) Bill Paxton-like desperation, for instance, set alongside the weary, near-drugged-out deadpan of Amber (Imogen Poots), a friend of the woman whose murder sets off the film’s violent chain of events; or the imperial calm of Darcy (Patrick Stewart), the ruthless leader of the band of white supremacists who attempt to kill Pat, Amber and the rest. It’d be a stretch to call these characters three-dimensional, but nevertheless, under Saulnier’s writing and direction, they all manage to stand out just enough as individuals for us to become emotionally involved in their fates. Meanwhile, Saulnier supports these characters and plot turns with filmmaking that is remarkable for its economy and patience. D.P. Sean Porter gets a lot of mileage out of the cramped quarters and grimy lighting of the bar, lending its wide (2.35:1) frames an appropriately nightmarish feel amidst many suspenseful set pieces. In those ways, the lean, mean Green Room stands as one of the best B-movie genre exercises in many years. —Kenji Fujishima
Amazon Prime membership in Germany, the United Kingdom, India, and the United States also provides Amazon Video, the instant streaming of selected movies and TV shows at no additional cost. In November 2011, it was announced that Prime members have access to the Kindle Owners’ Lending Library, which allows users to borrow certain popular Kindle e-books for free reading on Kindle hardware, up to one book a month, with no due date.