They say, don't judge a book by its cover. Good tip for this one, because the cover promises this is a book about "Why we buy" and "the science of shopping" and that it has information about online shopping as well. The reality? This is more like "Feng Shui for Retail Stores" with basically all of the book being anecdotes about shops that had inappropriate arrangements of merchandise that kept people from buying as much as they might have. The lone chapter about the internet is a joke -- it's basically just the author complaining that he doesn't understand why anyone shops online, and offering a couple of very specific suggestions for how sites like Amazon and Apple Store can improve. No help at all if you are running anything but a physical retail shopping business.
This page lists alternatives to Amazon for buying various kinds of products. Some of these sites may share some of Amazon's unethical practices. I am pretty sure that any site selling MP3 files on the internet imposes an EULA -- an inexcusable wrong. Streaming sites, too. And all of them identify the purchaser. It is better to buy from a store, and pay cash. Or else get a copy through sharing.
Some 11% of the Amazon apparel shoppers we surveyed said that they had bought Amazon private-label goods in the past year, which is notable because those private-label lines are still relatively new. Our survey provided respondents with several examples of Amazon’s private labels, in order to minimize any confusion about the company’s own private labels versus other brands featured on Amazon that respondents may not have been familiar with.
Amazon Supply, launched in 2012, offers industrial and scientific components and maintenance, repair and operations (MRO) supplies. Amazon Supply was developed based on experience operating Smallparts.com, acquired in 2005. (The Smallparts.com brand was discontinued with the launch of Amazon Supply.) While Amazon Supply uses the same order fulfillment and distribution system as Amazon.com, its online store provides services to customers in more than 190 countries.
A.: Prime members save $2 per month on this subscription service that offers thousands of books, movies, TV shows, educational apps and games for children ages 3 to 10 years old. Recently, Amazon expanded the ages, to also include specialty content for kids ages 9 to 12. Owners of a new Fire Kids Tablet automatically receive one year free. FreeTime Unlimited is accessible through Fire tablets, Fire TV and Kindle e-readers. Parents can granularly sort and filter content based on their own judgement as to what's appropriate.
Two men on the cusp of utter meme-ification craft one last masterpiece together before they let go, fizzling into the dying light. An elegy, perhaps—for America, maybe, or for the concept of law and order within an America that’s long abandoned both concepts—Werner Herzog’s predictably singular vision for a loose sequel (reboot) to Abel Ferrara’s Bad Lieutenant hangs Nicolas Cage from an imaginary hook, the actor’s baggy suit and wincing, glazy visage seemingly draped uncomfortably over every crime scene, line of coke and hallucinated iguana he comes across. New Orleans lieutenant Terence McDonagh is in a lot of pain, due mostly to a back injury he suffered saving an inmate from a flooding jail cell in the immediate aftermath of Hurricane Katrina, exacerbated by all the extra drugs he consumes, plus the long horrible hours he maintains navigating the surreal wasteland of a city that’s seemingly made no progress since the natural disaster. Herzog makes no apologies about the obvious ties between McDonagh’s degradation and that of New Orleans’, concerned less with his plot’s procedural aspects (McDonagh’s trying to solve the murders of a family involved with low level drug dealing) and more with the oneiric geography of a once-thriving city lost to time. McDonagh, then, is our addled Virgil, guiding us through the Hell that made him, the Hell from which he can’t escape, the Hell he’ll never save despite his best efforts. Suffused with absurdity, and hilariously bleak as fuck, The Bad Lieutenant – Port of Call: New Orleans serves as the last of Herzog’s fiction films able to withstand the director’s hardheaded anti-narrative inclinations, as well as the last of Cage’s films in which his unhinged weirdness isn’t so obviously performative. Together, the two men offer no hope for those whom America’s abandoned. Instead they offer a moving, odd bit of comfort: At least some of us are still trying. —Dom Sinacola